Barber Life

Hello all!

My my what a busy couple weeks of 8-15 hour days it has been!   Over at the Opera, we did our load-in, install, piano techs, dress rehearsals and have even had opening night! I’m currently sitting backstage during show #2, writing to y’all.   I have so many good things I don’t even know where to start, so here I go! (Warning : You’ll have to forgive me for gushing a bit.  It’s my very first opera and I have nothing but love and respect for the people who have made it possible for me to be a part of this wonderful team and I gotta brag about em a bit!)

We loaded our trucks up at our warehouse on October 16th and if you’ve ever dreamed of playing life size tetris, come work at the Opera during a load-out.  It’s one long game of ‘how can we make this fit?’ and I hear Clayton always wins.

 

Time to strap down our fancy new make-up chairs before their inaugural show! 

We started our install the next morning, bright and early.  Seeing as it was a rental, we brought in a set supervisor who had installed the show in Vancouver years before to help us set it up.  As the various rectangular pieces came off the truck and I looked at the set photos, I really had no idea how it would come together… But! As always, everything has a place and it came together mighty quickly thanks to our hardworking IATSE Local 210 crew!

Install : Day 1

Since I’m still kinda new around here (6 months today!) and sort of finding my place during show times, I got to hang out backstage and watch it come to life.  I really enjoyed seeing each of the departments bring their very best to the table and seeing how everything tied together.  The exquisite costumes — particularly Rosina’s ‘Carmen’ dress, the elaborate props (who knew one could fashion a tornado out of silk?), the enormous set being complemented by the mood setting lights (Put together by our terrific Lighting Designer, and my former instructor and program chair in Theatre Production, Geoff George), just everything.  Even when I fall into my job a bit more, I’ll never be the one crafting any of these spectacular items, but I have to say watching each piece come to life one by one is good enough for me.  (And if I can help them stay on budget, that’s great too.)

Look at the incredible sky that GG has designed using some gobos and the CYC lights at the back of the theatre.  One of my favorite things about the way Geoff lights things is the sheer amount of colours he uses. It always pops on stage! 

A small chunk of my week was also spent ensuring the crew had a quick breakfast to go along with their coffees in the mornings.  Each morning I had planned to offer them something different, but I learned pretty quickly that most of the IA crew wants donuts over anything else.  I adjusted my plan a bit during the week and ended up doing two donut days back to back, but everyone was happy and that’s what matters.  I’m thinking that for the next show I may have one day where I bring a bit of everything and see what fares well, who eats what, and go from there.  I remember the good old days of craft services in Vancouver and the crazy lengths I went through to get that perfect, so for now I want to get comfortable and then blow them all away! One step at a time.

Bagel Day : The day that I discovered after years of foolishly thinking all bagels were dense and gross, that I do in fact love toasted bagels with herb & garlic cream cheese.  So much so that I’ve eaten 4 more since then…

As we rolled into the final rehearsal period of our show, I had the opportunity to work alongside our director, Allison Grant, as her note taker.  I have to say, I have not written that feverishly in a long time, and through some miracle she was able to read my writing, so we made a great team.  Having the chance to work with someone from the artistic side rather than the production team gave me a different perspective on what I saw on stage and I rather enjoyed it.   It’s something I’ll get to repeat on our next two shows, Magic Flute and Lucia di Lammemoor, and I’m very much looking forward to it.  Each director I’ve worked with, even in a small capacity, has taught me a lot and gives me even more of an appreciation for the work they do.  Each one has a different style and different goal for each show and being fly on the wall when they make their magic happen is something I wouldn’t trade for all the donuts at VooDoo Donuts.

Best seat in the house? Any seat when the house is empty!

Opening night approached ever so quickly, and it was time for me to run out to Leduc once again to rent a backdrop from Look Events for our Edmonton Opera photobooth! Our senior marketing manager, Cameron MacRae, came up with the concept and edited a gorgeous photo of Rosina (Sylvia Szadovszki) into a movie poster that’s used in the show and also for our lovely patrons to pose with.  Big thanks to Nanc Price for helping us out by taking photos of everyone 🙂 and to Kristy Benckhuysen (Also one of my other awesome bosses) at Look Events for the back drop.  The design concept for our next show, The Magic Flute, explores an indian motif, and I’m hoping we can design a photo booth to match that.  If you’re at the show tonight or seeing it Thursday, don’t forget to have your photo taken!

Sorry for the low quality pic, my iPhone isn’t great…

Those are some of my more memorable show moments, but I also got to run errands, pick up some old props, new props, pit extenders, bolts, adjust sponsor slides, and cook for 40 people (spoiler alert : I failed. Ran out of food, but I rectified that of course.) among many other things.  It was such a fantastic learning experience for me and even though I felt like I always needed a bit more sleep, overall it was lovely and got me excited for the next show. I feel a bit more prepared with what is expected of me, and in true Patsy fashion, I made myself a list of all the things I did this show so I can prepare ahead of time for next show.  Things will still go wrong, but that’s just something I need to learn to deal with.  I can’t control everything and those moments of panic are often the ones where I learn the most — or at least the ones I remember not to repeat next time around ;).

Well that’s it for me for tonight! Hope you enjoyed this backstage look into Barber of Seville, and I will be back soon to post about my adventures in stage management over at St Albert Children’s Theatre.  For now, enjoy this photo of the final scene of the show.

Oh wait! I’m not finished!

One of the other amazing things that has happened on this show is the opportunity to work (albeit from afar) with Edmonton Opera chorus members, Luc Tellier and Christina O’Dell.  Luc was the lead in Young Frankenstein, one of the shows I worked on during my time at MacEwan, and we hit it off instantly.  He’s a terrifically talented actor and singer and I know he’s gonna make it big someday soon! Christina is the sister of Jamie O’Dell, the man who got me through Carrie : The Musical.  When everything was going wrong, Jamie was the one who kept me focused and his lovely sister has kept me laughing through this show on Twitter.  We finally met for the first time about 20 minutes ago though we’ve been going back and forth for a while now ;). Like I always say, networking is a beautiful thing.

If you look real closely in the above photo, you can see Christina O’Dell in her white skirt, dancing with Figaro, Phillip Addis.  Luc is mingling among the chorus men, unfortunately my terrible photo doesn’t show him, so to compensate, here is a photo by the lovely Nanc Price, with Phillip Addis.

P.

Photoshoot Life

Hello everyone!

Hope your first day back at work is going as well as mine is :).  Though I’m doing double duty today — Opera in the day, Children’s Theatre at night — I slept well, am caught up in my work and am feeling motivated for the week to come!

Last week I had the opportunity to collaborate with Cameron,  the head of our Marketing department, for a photo shoot for some of our upcoming print materials, and for pieces needed for posters for the show.   I was the representative for the production team, so I made sure we had all the required props and a nice white backdrop.  As this is something we aren’t in possession of, I made a quick phone call to Kristy at Look Events, and we worked out a deal.  Once again, I cannot reiterate how lucky I am to know and have the chance to collaborate with so many people.  

I drove out to Leduc on a cold Tuesday afternoon, picked up the drape and had a quick catch-up with my friend.  We’re both getting so busy that we hardly have time for our little visits anymore.  Price you have to pay I guess!

 

I have to say, it’s pretty damn cool that she has her own little office.  

On Wednesday morning, I made my way to the Jubilee to meet up with Cameron and start setting up.  We got the pipe & drape propped up, as well as the vintage camera nestled onto its mount.   He set up his new lights and we waited for the Artists and director to be ready for us!

Big thanks to Cine AV for renting us this wonderful vintage camera.  Can’t bring the 1940s film studio to life without it!

Not to mention these incredible vintage Barber chairs, rented to us by the Vancouver Opera.  I had to sit in one of these babies while Cameron adjusted the light, and they are pretty nifty not to mention, surprisingly comfortable.

As 11:15 rolled around, our gorgeous stars, Sylvia Szadovszki and Phillip Addis, were make-up’ed and costumed and ready to go.   Director, Allison Grant, finished up her rehearsal and we were ready to go!

Watching her in action was a great experience for me, as I don’t get much contact with the artistic department sitting in my office at our Production Facility.  Each director has a different style and more often than not, I am overly thrilled to learn just a bit here and there from being in the room with them.

L to R – Sylvia, Phillip, Allison. 

Now I don’t have many of my photos to share, for obvious reasons, but here are three of the final products, created by Cameron MacRae, starring Phillip Addis and Sylvia Szadovzski!  Enjoy!

If you’re interested in seeing the show, check out our website by clicking on the photos.  Tickets are starting at $40 — unless of course you’re a member of one of our clubs (Explorers, Encore), where you can receive a bit more of a discount and some fun perks!

Well that’s it for me today. Hope you enjoyed this post! Stay tuned for more fun stuff :).

P

Calgary Life

 

Hallo friends!

Sorry for the huge delay in between posts, I have been a busy little bee!  Between production meetings, meet & greets, rehearseathons, throwing fabulous birthday parties, and so much more, I haven’t had much time to myself.  But! I’m back. I have a couple days off so I’m hoping to write some posts and post-date them so I can catch up! Anyways, now, for your reading pleasure, my day trip to Calgary!

Two Wednesdays ago, I had the opportunity to drive down to Calgary for the day to pick up a harpsichord and a cat for the Opera. Yes that’s right.  A harpsichord and a cat.

The harpsichord was for our upcoming production of Gioachino Rossini’s the Barber of Seville, and frankly, I had no idea what it was and as such, I gave myself a huge window to pick it up, load it in, and drive off.  I picked it up early in my day — thinking it would take me a good forty five minutes —  but I was in and out in 10 minutes tops (and it only took ten minutes because I needed a helper to lift it into my rented pimped-out mini van).  So what was I to do?

With this extra bit of time, I took the opportunity to explore downtown Calgary for a bit because as an faithful Edmontonian, I have never really made the effort to go down and visit that nemesis of a town, but … man.. It’s beautiful there.  Their downtown is really lovely.  Lots of little shops and tons of fabulous dining options.  The artwork they had on display was lovely, in particular the mini-art-gallery I found in the basement of the Fluvog store, adorably named, ‘The Peanut Gallery’.

 

Also at the Fluvog store was a sign that actually encouraged photography! This was a definite first to me.  I’m usually the gal with a camera in hand getting the finger wag or even being chased out of a store/art gallery/museum/person’s home, so this was fantastic news.

On that note… I didn’t actually take any pictures of any of the fancy shoes, just these sorta plain — but still beautiful — ones.  Check em out! One day I’ll get a pair… One day. 

I continued my walk, enjoying the amount of people out and about on their lunch hour.  One thing Edmonton is seriously lacking is a downtown core that’s pedestrian friendly.  They’re working on it, but with any luck, I’ll be in a new city by the time it’s done.  

I checked the time and still had a good 20 minutes before my lunch reservation, so I made my way down to the Calgary tower to get a picture of it, and a fun magnet if I could find one — Pro Tip : always go to the overly touristy places to find the best magnets.

And then. It was time for lunch! My boss recommended we give Charcut a try.  It’s one of the top restaurants in the country and how often does one have an opportunity to visit such a prestigious place? I jumped on it! I invited my friend Bryce and off we went!

Well Bryce was about 20 minutes late haha, but when he got there we quickly caught up on the last couple years of our lives.  It was a nice little lunch date and the food was unreal.  I had a ‘daily poultry’ sandwich with fries covered in parmesan alongside a cream soda of sorts and it was by far the best cream soda I’ve ever had in my life.  I’m currently on a no-pop diet, and breaking that to indulge in that deeeelicious drink was totally worth it.

Following lunch, it was Mr. Parker time. (He’s the cat.)

I drove out to his home and picked him up and started our three hour trek back to the city and to his new home at our Warehouse.

(When I went to fill up before hitting the road, I let him out and he curled right up on the seat.  He looked so perfect I didn’t want to put him back in and boooooyyyy did he fight me haha)

Upon arrival, he immediately ran up and down the hallway to scope it out.  He then found a series of 5 chairs (all in different rooms) that were to become his new collection of thrones.  Suffice to say, he’s more than happy being an opera cat.  My boss has taking a huge liking to him and also offered to clean his poop box, much to my delight.  I’m in charge of treats and that means morning visits while I’m doing expense reports, and it’s pretty awesome.

This is his favorite room : The Copy Room.  He is fascinated by anything and everything printing and boy do we do a lot of that there.  Anyways, that’s Mr. Parker. The Opera Cat.

Well that’s it for this time! I’ll have a bunch of other stuff to post about in the coming weeks, including the rehearsal period for A Christmas Story, the load-in and set-up for Barber of Seville, my upcoming adventures in the land of… CRAFT SERVICES! Where I got my start 😉 and plenty more good stuff.

Now to enjoy the last hour and a half of Rehearsathon and then off to dream some fabulous dreams.

Have a great night!

P